Tiding over the logical incongruity of an ageing superstar playing a twenty-something lover boy who matches steps with a vivacious actress half his age might take some doing. But once you manage to get that mental holdup out the way, Jab Tak Hai Jaan, Yash Chopra’s last film, is a perfectly fitting finale to an eventful life and career. The screenplay by Aditya Chopra and Devika Bhagat is by no means flawless but, for the most part, Jab Tak Hai Jaan is watchable, if somewhat emotionally manipulative.
Beautifully shot in easy-on-the-eye parts of London and Ladakh, the film, in the best traditions of a Yash Chopra romance, sees the world primarily through a tried-and-tested “love is life” aperture. The view that it provides is generally likable, if not always completely persuasive.
Shah Rukh Khan,